Don’t Fence Me In!

Early on in the Christmas classic It’s A Wonderful Life, there’s a scene where George Bailey absentmindedly strolls back and forth on the sidewalk in front of Mary Hatch’s house, dragging a stick along her fence. Mary sees him from an upstairs window, leans out and yells, “What are you doing… picketing? It’s a great line, wordplay on her front yard fence.

For generations, picket fences have stood hand-in-hand with the American houses immediately behind them. These quaint-looking property markers are considered symbols of middle class prosperity and an idyllic family life. Even the “American Dream” includes a white picket fence.  But maybe no longer. The dream seems to have been updated. Americans no longer want pickets… they want walls.

Privacy with plastic

As much as I want to believe a high, solid fence is merely the mark of an eccentric neighbor, facts don’t lie.  Suburbia is abandoning the picket fence in favor of taller, more robust barriers.  A Connecticut fencing company used to fill 40% of its orders with pickets.  How many orders have they had for the low white fences in 2026?  Zero.  Instead they’re filling a demand for panels of plastic (PVC) seven feet on a side, mounted between even higher columns.  The welcoming American cottage is turning into the locked-down American fortress.

One could blame the abandonment of pickets on cost and maintenance.  After all, wood needs to be kept dry and repainted to avoid rot, while PVC is less expensive and lasts a whole lot longer.  Fencing companies tried switching out wooden pickets for plastic ones but apparently the open look isn’t “closed off” enough for today’s preference.  There’s a concerning motive at work here.  People no longer want to know what’s going on beyond their fences (or even more concerning, they don’t want you to know what’s going on behind them.)

To each their own but I’m still a fan of pickets.  They define a property yet don’t remove the “welcome” because they’re short and have gaps.  You can easily chat up your neighbor whether you’re twenty feet removed or right up against the fence.  As for the look, pickets don’t have to be boring, pointy stakes.  They can be crowned with spades, spears, balls, crosses, fleur di lis (for you French-Americans) or whatever else your circular saw can come up with.  

A high, imposing fence is the last thing I’d want surrounding my property.  Having said that, the first house my wife and I bought had one on three sides.  We lived on a California postage-stamp, with both neighboring houses on minimum setbacks.  Without the “privacy fence” we’d be looking from our windows right into theirs.  It takes awhile to forget what you’ve seen when a neighbor doesn’t draw down the bathroom shade.

Three-board fencing

Our next couple of houses had no fences at all.  The properties were bigger so privacy was solved by distance instead of by division.  As for the house we live in now, we’re surrounded by “three-board” fence consistent with the other properties in our community.  Three-board is designed to keep horses in the pastures where they belong, but doesn’t wall you off from your neighbors.  A three-board is anything but a privacy fence and that’s fine with me.  I just wish it was made out of pickets instead.

The math on a picket fence to replace my three-board is not what I’d hoped.  Surrounding our five acres would take upwards of 1,000 pickets.  Oof.  There’s a lot “at stake” there, not to mention our horses would happily step over in pursuit of greener pastures.  I’ll just stick with what I’ve got.  There’s a wonderful life on the other side of my fence and I can still see it.

Some content sourced from the Pocono Record article, “Picket fence adds privacy, security with classic style”, and the U.S. Sun article, “Is the white picket fence completely dead?”

Don’t Throw Stones

Back in Colorado where we used to live, there was a house down the street – a new build – where you walked through the front door, crossed a narrow hallway, and immediately found yourself outside again on a terrace.  The design was intentional (thanks to stunning views of Pikes Peak), encouraging outdoor living as much as indoor.  It’s a design principle rooted in one of America’s most famous residences.  Welcome to New Canaan, Connecticut’s Glass House.

Imagine a classroom assignment where you’re asked to create a pizza.  You choose whatever toppings and seasonings you like, the pizza’s shape and size, and the means to bake it.  But there’s a catch: You can’t use a crust.  Somehow you’d still put it together, right?  Maybe that’s how architect Phillip Johnson approached his design of The Glass House back in 1949.  It’s got windows and doors, a roof, rooms, and furniture, just like any other house; just no walls.

Okay, The Glass House has walls, of course, but their transparency is meant to throw the concept of “house” for a major loop.

As a student of architecture, I have a love/hate relationship with The Glass House.  My first thought when I learned about it was, “I hate it.  It’s just a steel and glass box.  And everything I’d do in there would be on display for all the world to see.  Everything“.

But like important works of art, the more you study The Glass House the more you appreciate all that it has to offer.  You notice the fully open floor plan (bathroom aside), suggesting “rooms” can be defined by furniture or floor coverings, not just walls.  Its transparency invites the outdoors in (whether or not you open the glass door on each of its four sides), suggesting the experience of “home” can go well beyond the walls.  Finally, The Glass House boldly declares that less is more, meaning life in the dozen rooms of a McMansion pales in comparison to a cohesive collection of just three or four.

[Architect’s Note: “Less is more” is a famous mantra in architecture circles, coined by American architect Mies van der Rohe (of whom Phillip Johnson was a disciple).  Marie Kondo might come to mind as well.]

Am I a fan of the harsh German glasarchitektur style of The Glass House?  No.  Would I want to live in such a house?  Absolutely not.  Yet I must admit, its concept of indoor-outdoor living (which has inspired countless residential designs since) is intriguing.  It’s what makes Fallingwater such a captivating design.  Furthermore, the siting of The Glass House puts to rest any concerns I had about privacy, since it’s nestled within fifty acres of open landscape.

The Glass House, as you might expect, is in America’s National Trust for Historic Preservation, and open to visitors through guided property tours.  As the famous saying goes, “People who live in glass houses shouldn’t throw stones”.  I’m pretty sure Phillip Johnson didn’t throw any.  After all, The Glass House was where he made his home for over fifty years.

Now for the latest on LEGO Fallingwater…

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LEGO Fallingwater – Update #7  (Read how this project got started in Perfect Harmony)

Today we spent entirely “off-model” again, building up the structure you see in front.  60 pages (or 66%, or 169 minutes) into the build, this is what we have:

This week’s photo should look virtually identical to last week’s, because all I did was add layers to the “house” in front (which doesn’t look at all like a house).  The only excitement was adding that balcony jutting out in the left rear corner.

I’ve bored you again with the model update, so here’s a poetic quote instead, from Wright himself about designing Fallingwater:

“The visit to the waterfall in the woods stays with me and a domicile has taken vague shape in my mind to the music of the stream… this structure might serve to indicate that the sense of shelter… has no limitations as to form except the materials used and the methods by which they are employed…”

Tune in next Thursday as construction continues!  Now for another nod to Frank Lloyd Wright…

Wingspread

The last of Wright’s Prairie Style houses may have the most creative name.  “Wingspread” was designed and built in 1937 in Racine, WI for the SC Johnson family, for whom Wright also designed his more famous Johnson Wax administration building nearby.

Wingspread is a sprawling pinwheel plan, with each of its single-story arms serving a different purpose.  The central octagon is three stories high.  Wingspread is full of fireplaces (five), but more of interest is Wright’s accommodation of requests by the Johnson children.  For them he added a Juliet balcony bedroom and a crow’s nest.  Let it also be known Wright had an occasional bit of fun with his designs.  Wingspread contains a disappearing dining table and a great room clerestory ceiling inspired by the look of a teepee.

“Juliet” balcony

Wingspread has been converted into a conference center today, but is open for tours by reservation.

Some content sourced from The Glass House website, the Frank Lloyd Wright Foundation website, and Wikipedia, “the free encyclopedia”.