Hello, I’m Veronica
The sky is not completely dark at night. Were the sky absolutely dark, one would not be able to see the silhouette of an object against the sky.
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For Heaven’s Snakes!
On a recent jog along the dusty unpaved roads of my neighborhood, I heard – and then saw – a couple of energetic dogs intent on chasing me down. They leaped off the front porch of a nearby house, tore across the wide-open acreage adjacent to the street, and came to a halt just inside what must have been an invisible fence. Barking and jumping, they made it clear I was intruding on their space. Not that I really noticed. I was scanning the road and the shoulder where I was running instead, looking for snakes.
Perhaps you’re wondering why I’m on the lookout for snakes in the dead of winter, when wildlife should be hibernating. Or maybe you’re wondering why I’m even running in an area where I might step on one. Truth be told, it’s highly unlikely I’d come across a snake in my neighborhood, even in the middle of a hot summer running deep into the weeds. Colorado has plenty of the slithery ones, but they prefer the rocky habitat of the foothills to the west (up against the Rocky Mountains). Yet I still look for them out of a long-enforced habit.
Does my snake-dislike qualify as a phobia? Probably. It was my earliest face-to-face with a rattler that turned me to the dark side. Summertime, backyard of our house – living in the close confines of a narrow canyon – and I whacked a tennis ball into the neighbor’s yard. Didn’t mean to do that and needed the ball back. Nobody was home next door but a side gate meant I could sneak around unnoticed. As I moved beyond the house and into an unkempt grassy area, I spied the tennis ball and made a beeline for it. What I didn’t see was the five-foot snake nestled in my path, coiled and ready to strike. Peripheral vision or his rattle made me leap and hurdle at the last second. I landed on the other side of him and kept running. Someone came to my aid and the rattler was caught soon after, but the damage to my psyche was done. Snakes = not good.
There are four species of poisonous snakes indigenous to the United States: copperhead, coral, cottonmouth, and rattlesnakes (of which there are several sub-species). I’ve had the “pleasure” of encountering two of these four up close and personal. In California I came across several more rattlesnakes after my tennis ball adventure, including those big, nasty diamondbacks on desert hikes with the Boy Scouts. Then, years later, while visiting my wife’s family in North Carolina, I played a round of golf and discovered copperheads are fond of the short grass out there. I approached my ball on one of the fairways and just about left my shoes when a long, black snake sprinted across my field of vision. One of the locals I was playing with just laughed and said, “copperheads; get used to ’em kid!” Whether that was sage advice or mind games, golf in North Carolina lost all appeal.
Snakes have been in their share of films. I’ve never seen snakes on a plane and I never saw Snakes on a Plane so I’m still okay to fly. A friend dragged me to Anaconda, which killed any interest in seeing the Amazon. And in Raiders of the Lost Ark of course, Harrison Ford is asked “Indie, why does the floor move?” The following scene with all those snakes is a close-up I wish they’d left on the editing room floor.
Some say you’ve got to get your nightmares out in the open to get past them. Maybe I’m doing that by writing about them. Doesn’t mean I won’t keep looking for slithery ones when I run.
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There’s Something About Mary
Mary Tyler Moore passed away over a week ago and I’ve been thinking about her ever since. Countless actresses come and go, but then you have those who make indelible impressions with one or two jaw-dropping performances. Audrey Hepburn, Julie Andrews and Maureen O’Hara, just to name a few. Meryl Streep. And Mary Tyler Moore.
There’s something about Mary. I read her filmography from start to finish – a span of sixty years of television and movies – and came up with two roles of any significance to me: Mary Richards in The Mary Tyler Moore Show (1970-1977), and Beth in the film Ordinary People (1980). But I think most people would agree – those performances alone land Mary Tyler Moore in an acting class by herself.
Moore first became a familiar name as Laura Petrie in The Dick Van Dyke Show in the 1960’s, but that was a little before my time. On the other hand, The Mary Tyler Moore Show was a weekend staple in my house. At an age when my father still controlled the TV remote (er, TV channel – no remotes back then), my brothers and I were treated to CBS’s Saturday night “killer lineup”, which included The Mary Tyler Moore Show, The Bob Newhart Show, and The Carol Burnett Show.
The Mary Tyler Moore Show included memorable opening credits, if only because the theme song was so infectious (“…you’re gonna make it after all…”), as was the final scene where Mary spins and smiles and throws her hat into the air at a busy Minneapolis intersection. That throw – and Mary Tyler Moore herself – is immortalized in a bronze sculpture you can find at that very same intersection today.
In 1980, just as I was heading off to college, Robert Redford directed the Best Picture winner Ordinary People, one of the most gut-wrenching, powerful, “real-life” dramas I have ever seen. Timothy Hutton burst onto the Hollywood scene with an Oscar-winning performance as Conrad, the younger of two sons in a tormented Chicago family. Judd Hirsch was also nominated for an Oscar (losing to Hutton) for his portrayal of the determined therapist who counseled Conrad back to stability. But it was Mary Tyler Moore’s turn as the heartless and unforgiving mother Beth that stole the show. Her performance was so counter to the sunny demeanor of Mary Richards, I wondered if she was tapping the energy of some real-life bout of depression. That was the breadth of Mary Tyler Moore’s acting talents. I’ve only seen Ordinary People a couple of times but the scene where Donald Sutherland tells Beth he no longer loves her still haunts me. Moore’s silent, crestfallen reaction to that statement could’ve coined the phrase “verbal slap in the face”.
I am even more taken by Mary Tyler Moore when I read some of the details of her life. Clearly, she tried to embody the positive demeanor and “independent woman” of Mary Richards, but she did so in the face of significant personal tragedy. She dealt with alcoholism and smoking addiction, drug overdose (her sister), suicide (her son), and years of diabetes. She took up the baton to promote diabetes awareness and animal rights. Moore was even tougher and more outspoken than her little/big screen roles would suggest.
The theme song of The Mary Tyler Moore show begins with “Who can turn the world on with her smile?” Scroll back up to that first photo. Talk about ear-to-ear! And I can’t help but smile back, even as we now say goodbye to Mary.
Some content sourced from IMDb.com.
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Have You Lost Your Marbles?
Nestled quietly amid the several headlines for the Presidential Inauguration and the Women’s March on Washington last week, the Associated Press (AP) reported an incident of marble madness near Indianapolis: “… a truck carrying 38,000 pounds of marbles lost its trailer… the marbles were on the shoulder and in the median… there were no injuries, but a lane of traffic in that area was affected by the cleanup during much of the day.”
I was lucky to catch the marbles story on my news feed. It rolled in and rolled out (ha) in the space of about twenty minutes, making way for the more important headlines of the day. A spill of 38,000 pounds of marbles! That’s a whole lot of little glass orbs, people. Your average marble weighs 0.16 ounce (proving once again you can find anything on the Web), so with sixteen ounces to the pound you have a nice “round” estimate of 3,800,000 marbles commanding chaos on that Indiana highway.
As short as the AP article was (you’re reading just about all of it in the quotes above), I love the handful of details. One, the marbles were “on the shoulder and in the median”. In other words, they cleaned up themselves by rolling both directions off the convex surface of the asphalt. Two, “there were no injuries”. My first thought was the image of windmilling arms and dancing feet caused by a pail of marbles thrown in front of someone (I guess cars don’t react the same way). Finally, we have “… the cleanup during much of the day.” How the heck do you clean up 3.8 million marbles? My first choice would be a gigantic ride-on monster vac, preferably something designed by Dr. Seuss.
This story resonates with me because I had a childhood obsession with marbles – and marble games. In the 1960’s the toy company Ideal came out with “Mousetrap”, one of the first mass-produced three-dimensional games. Mousetrap was a fascinating contraption which – when completed – moved marbles and other game pieces in a start-to-finish process attempting to trap another player’s mouse. When I first saw Mousetrap in action I became an instant marble enthusiast.Mousetrap surely inspired the Matchbox game “Cascade” (which I was lucky enough to own). Cascade consisted of three small trampolines arranged in a row between a tower and a scoring tray. The tower included a clever “marble elevator” – a corkscrew raising the marbles to the top – only to dump them down a chute where they would bounce one-two-three on the trampolines and land in the scoring tray. I’m not sure where in this endless loop you have a “game” but Cascade was sure fun to watch (see video here). A more advanced version of Cascade came out the same year in Ideal’s “Bing-Bang-Boing”.
Countless marble contraptions have been designed since the games of my youth (the Web is full of fun videos), and let’s not forget Nintendo’s famous video game “Marble Madness”. But as an adult I prefer the more elegant applications like Chinese checkers and marble solitaire (above photo), and the wooden box mazes I write about in Back in the Sandbox.
In the spirit of storm-chasers, I’d love to race down the highway to watch the next truck to lose its marbles somewhere in this country. But maybe I’ll just stick to the marbles I own myself. After all, what’s the saying? A marble in the hand is worth 3.8 million on the road? Or something like that.

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The sky is not completely dark at night. Were the sky absolutely dark, one would not be able to see the silhouette of an object against the sky.
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