The Four Seasons – Life In A Word

A Triumph in Travertine

LEGO Trevi Fountain – Update #8

(Read about the start of this build in Brick Wall Waterfall)

A little over two months ago we set out to do the impossible: construct one of the world’s great fountains in time for Christmas. Today, a day before our self-imposed deadline we put the very last piece of travertine in place. Okay, so this Trevi Fountain is made of LEGO and we’re nowhere near Rome but still, we’ve had a nice little adventure from start to finish.

As is the case with many of LEGO’s models, the final pieces are meant for flourishes and ornamentation. Bag 14 – of 15 bags of pieces – focused entirely on the top center structure you see here. Everything was completed in a cool 23 minutes, finished off by the careful placement of those four tiny statues.

Today’s musical accompaniment was fitting. I chose Gabriel’s Oboe, a short but beautiful instrumental some of you may recognize from Amy Grant’s “A Christmas to Remember” album. It was actually written by Ennio Morricone for the movie The Mission. I listened to it twice. Then I went with Luigi Boccherini’s Minuet from his String Quintet in E Major, which some of you may also recognize from movie scores. I listened to it thrice. Finally, I concluded with Vivaldi’s The Four Seasons (though of course, only with the “Winter” movement).

Bag 15 – the final bag of Trevi LEGO pieces – was an adventure from the get-go. Thirty seconds after spilling the pieces onto the counter I heard a tiny “tap tap tap” on the kitchen floor, the exact sound of a LEGO piece skittering away. Sure enough, way over by the frig, the little guy was standing there looking up at me with a devilish grin. He’d rolled way, way across my kitchen counter and dropped to the floor before attempting his escape. Again with the runaway pieces, sigh…

The statuary of the Trevi is impressive and the LEGO equivalent is kind of fun. If you look carefully in the piles of pieces above you can see hairpieces, torsos, and horse heads. Fully assembled and installed, it’s quite the collection of humans and animals in and among the rushing waters.

Finally, here’s an interesting coincidence of timing. In just over a month – for the first time in its history – you’ll have to pay $2 to see the Trevi up close. The fee is designed to reduce the overwhelming flow of tourists in front of the fountain. A fee just to see a fountain may sound nit-picky but a trial run showed it works well to reduce the chaos. Trust me: pay the $2, spend as much time front and center as they’ll allow you, and gaze upon one of the sculptured marvels of Ancient Rome. I think you’ll agree; the Trevi Fountain is a triumph in travertine.

Running build time: 7 hr. 48 min.

Total leftover pieces: 44

Chain (Saw) Reaction

When your kids celebrate you on Mother’s Day, you get flowers and chocolates; maybe even a homemade breakfast. When your kids celebrate you on Father’s Day, you get a gift card to Home Depot or Lowe’s, which is awesome. My kids are perceptive enough to know there’s always something I need for the workshop, so that little plastic rectangle of credit always brings a smile. But what I need is always trumped by what I want. Like power tools.

A polesaw is one of the cooler power tools out there (especially if you have a use for it). A polesaw is essentially a chain saw mounted on top of twelve feet of plastic pipe. At the bottom is the trigger. It’s like the world’s longest rifle, only you’re spinning chain saw blades instead of firing bullets. Picture the head and neck of a very thin giraffe. Or something out of a horror movie you’d watch this Halloween.

Polesaws are perfect for cutting down those overhead tree branches you cannot reach. You avoid the whole fall-off-the-ladder thing, which is fine with me since I’ve done it before. And with today’s super-batteries, you’re not tethered to a cord or a gas tank. Which brings me to my real story.

After purchasing my brand new Craftsman polesaw at Lowe’s – and barely fitting it into the back of my SUV – I headed on home eager to try it out. Charge up the battery, unsheathe the chain saw blade, and get to chopping down branches. When I did get home however, I realized my most basic of blunders: I had no battery. Right there on the box in plain English: TOOL ONLY. BATTERY AND CHARGER SOLD SEPARATELY. Talk about “buzz kill”.

A few days later I made it back to Lowe’s. Found the battery (the last one!), as well as an employee to escort me to check-out to make sure I paid. I get it – those batteries are expensive – more than the pole saw itself in fact. Okay, so now I have my pole saw and my battery. When I got home again however, I discovered my next blunder. It’s just a battery. It’s not a battery and a charger. Without a charger, a battery is just a bunch of chemicals housed in a case. Good grief, Charlie Brown! (with a whack on the forehead)

The next time I went to Lowe’s – where they now know me on a first-name basis – I found the charger. But here’s the problem. The charger comes with a battery, versus being sold all on its own. In other words, I have to buy a battery I don’t need. Okay, so I’ll return the first one. But after another employee escort to check-out and a little thought, I realized my biggest blunder of them all. I’d already unpacked and installed the first battery on the polesaw. Now I have a polesaw, a battery, a charger… and another battery I can no longer return. Needless to say, I’m well past the amount of my Father’s Day gift card by now.

I like to end every story with good news. The polesaw advertises “325 cuts per battery charge”. In other words, I’m never gonna need that second battery. Sure looks lonely sitting there on the workbench. Guess I just found me an excuse to buy another Craftsman power tool!

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LEGO Trevi Fountain – Update #1

(Read about the start of this build in Brick Wall Waterfall)

Our LEGO Trevi Fountain already feels like it’s flowing after just 3 bags – of 15 bags of pieces. You know this is going to be quick construction when I’m showing evidence of “brick wall” and “waterfall” just twenty percent into the build.

The rust on my LEGO skills was apparent from the first bag. I assembled the first two pieces incorrectly, thought I was missing a piece (which you always find later), and questioned why I ended up with an extra piece (which is LEGO’s way of saying, “in case you lose one”). Bag 2 had similar challenges. And Bag 3 was a little more difficult because you get lost in all those dreamy shades of blue. There was a moment when I placed an entire section of the fountain too far forward, corrected it, and thought, “Wow, Travertine is hard to move!”

For my fountain-building accompaniment, I thought it would be appropriate to listen the to the works of classical Italian composers. For today’s portion, I went with Vivaldi’s “The Four Seasons”. Bag 1 took me through “Spring” while Bag 2 took me through “Summer”. Bag 3 required the other two seasons. But as you can see, I already have a four-seasons pool I could throw coins into!

Running build time: 1 hr. 5 min.

Total leftover pieces: 2

Coup de Grâce

On my green and pristine back lawn, a solitary fallen leaf lies captive among the blades, a sure sign of the coming fall. A summer lengthened by oppressive heat is mercifully at its end. Fellow bloggers eagerly write about crisp mornings, cool nights, and college football games. But here’s a better nod to the upcoming season, a beckoning more sublime than anything “pumpkin spice”. Have a listen to Antonio Vivaldi’s violin concerto “Autumn”, from his best-known work, “The Four Seasons”.

Sure, I could bore you with the details of a classical composition written over four hundred years ago. “The Four Seasons” was cutting edge for its time because the music reflected real-life events: singing birds (“Spring”), soft breezes (“Summer”), and icy paths (“Winter”). But today’s post is not really about “Autumn” and its drunken dancers. It’s about the performance of the piece by Frederieke Saeijs.

I’d never heard of Frederieke Saeijs before I watched the eleven minutes of her violin solo in the video above but I must confess, I’m absolutely smitten. Frederieke (pronounced exactly like it reads, unlike her last name), is Dutch by birth but worldly in every other respect, including her education, performances, and teaching. Her list of accomplishments and awards suggests there is nothing further she can achieve with her instrument… and she’s only forty-two.

But I digress (and can you blame me after seeing her photo?) Let’s get back to this performance of “Autumn”. Here is what I found so captivating. First, Frederieke’s eyes and her movements with her violin are unabashedly expressive as she plays, clearly one with the music. She is a picture of grace with her slender frame, elegant hairstyle, and striking purple gown. In other words, you could watch this video on mute and still be impressed. But please don’t. You need to hear the music, even just a few minutes of it. I admit to distraction by some other things on my computer screen yet I kept coming back to this performance until I’d completed all eleven minutes.

If I haven’t yet persuaded you to spend a few minutes with Frederieke, consider this. She plays the entire piece from memory (which, in ‘Autumn’s more furious moments, is mind-boggling). Also, her performance – as well as those of the smallish orchestra around her – is captured from a dozen different angles. This was a busy production, both in front of and behind the camera.

I kept waiting for something – anything – to bring this performance back to earth so I could describe it as less than perfect. Except for a cough in the audience minutes from the end, I don’t see how the concerto could’ve been purer. Seriously, have you ever wondered how a soloist of this caliber avoids a sneeze or a cough, or even slips a little on her high heels? Perhaps this explains why Frederieke is a world-class violinist and I am not.

Finally, if you made it to the end of this performance like I did, you’ll find it interesting the video concluded before the audience applause (and standing ovation, no doubt). I say “good call” to whoever posted the video. The silent fade-to-black conclusion only makes the performance more powerful.

A coup de grâce is defined as “a decisive blow”, and further, “one delivered mercifully to end suffering”. I love the double meaning here. The season of autumn delivers a merciful end to the suffering of a hot summer. More to today’s topic, Ms. Saeijs’ violin performance speaks of force and grace as one. In other words, she offers you a most sublime welcome to fall.

The poem which inspired Vivaldi’s “Autumn” concerto includes the line, “… And (by) the season that invites so many, many…” After watching today’s video I feel very much invited. I suggest you raise a glass of hot cider to the calm of fall. While you’re at it, give thanks for the breathtaking talent of Frederieke Saeijs.

Some content sourced from Wikipedia, “the free encyclopedia”.