Coup de Grâce

On my green and pristine back lawn, a solitary fallen leaf lies captive among the blades, a sure sign of the coming fall. A summer lengthened by oppressive heat is mercifully at its end. Fellow bloggers eagerly write about crisp mornings, cool nights, and college football games. But here’s a better nod to the upcoming season, a beckoning more sublime than anything “pumpkin spice”. Have a listen to Antonio Vivaldi’s violin concerto “Autumn”, from his best-known work, “The Four Seasons”.

Sure, I could bore you with the details of a classical composition written over four hundred years ago. “The Four Seasons” was cutting edge for its time because the music reflected real-life events: singing birds (“Spring”), soft breezes (“Summer”), and icy paths (“Winter”).  But today’s post is not really about “Autumn” and its drunken dancers.  It’s about the performance of the piece by Frederieke Saeijs.

Ms. Saeijs

I’d never heard of Frederieke Saeijs before I watched the eleven minutes of her violin solo in the video above but I must confess, I’m absolutely smitten.  Frederieke (pronounced exactly like it reads, unlike her last name), is Dutch by birth but worldly in every other respect, including her education, performances, and teaching.  Her list of accomplishments and awards suggests there is nothing further she can achieve with her instrument… and she’s only forty-two.

But I digress (and can you blame me after seeing her photo?)  Let’s get back to this performance of “Autumn”.  Here is what I found so captivating.  First, Frederieke’s eyes and her movements with her violin are unabashedly expressive as she plays, clearly one with the music.  She is a picture of grace with her slender frame, elegant hairstyle, and striking purple gown.  In other words, you could watch this video on mute and still be impressed.  But please don’t.  You need to hear the music, even just a few minutes of it.  I admit to distraction by some other things on my computer screen yet I kept coming back to this performance until I’d completed all eleven minutes.

If I haven’t yet persuaded you to spend a few minutes with Frederieke, consider this.  She plays the entire piece from memory (which, in ‘Autumn’s more furious moments, is mind-boggling).  Also, her performance – as well as those of the smallish orchestra around her – is captured from a dozen different angles.  This was a busy production, both in front of and behind the camera.

I kept waiting for something – anything – to bring this performance back to earth so I could describe it as less than perfect.  Except for a cough in the audience minutes from the end, I don’t see how the concerto could’ve been purer.  Seriously, have you ever wondered how a soloist of this caliber avoids a sneeze or a cough, or even slips a little on her high heels?  Perhaps this explains why Frederieke is a world-class violinist and I am not.

Finally, if you made it to the end of this performance like I did, you’ll find it interesting the video concluded before the audience applause (and standing ovation, no doubt).  I say “good call” to whoever posted the video.  The silent fade-to-black conclusion only makes the performance more powerful.

Mr. Vivaldi

A coup de grâce is defined as “a decisive blow”, and further, “one delivered mercifully to end suffering”.  I love the double meaning here.  The season of autumn delivers a merciful end to the suffering of a hot summer.  More to today’s topic, Ms. Saeijs’ violin performance speaks of force and grace as one.  In other words, she offers you a most sublime welcome to fall.

The poem which inspired Vivaldi’s “Autumn” concerto includes the line, “… And (by) the season that invites so many, many…”  After watching today’s video I feel very much invited.  I suggest you raise a glass of hot cider to the calm of fall.  While you’re at it, give thanks for the breathtaking talent of Frederieke Saeijs.

Some content sourced from Wikipedia, “the free encyclopedia”.

Sugar Cured

Coke. Zero. Sugar. Three little words; one new drink. In a nod to those who eschew sugar (and detest calories), Coca-Cola proudly offers its latest beverage. Coke was the original, of course. Coke Zero was the low-cal offering for men (Diet Coke was perceived as a “women’s” drink). And now the soda junkie may opt for Coke Zero Sugar, with the claim of original taste but no calories and no sugar.  For my money, let’s hope the sugared varieties still have a shelf life.  Otherwise my cure for headaches just went out the window.

Coke cures headaches?  Well, why not?  Those of us who experience the recurrent forehead fevers will jump on just about any bandwagon to chase away the relentless pain, and a Coke seems relatively harmless compared to the more potent options out there.  But truth be told, a can of Coke is only half the solution.  Chase the Real Thing with a Snickers bar and you have the coup de grace of headache cures. The combined overdose of caffeine, sugar, salt, and protein packs a punch more powerful than half a bottle of Excedrin tablets.

When I was a kid, headaches were my constant companion.  I could sense the pain unfolding well before it up and knocked on my forehead door.  In full bloom, my headaches could only be cured by retreating to a dark, quiet room and sleeping them off.  But try falling asleep when someone’s rapping a hammer against your brain.  The mental/physical anguish of the battle surely coined the phrase “toss-and-turn”.

My mother and my doctor (seemingly one and the same) drew frustratingly repetitive conclusions.  My headaches were not strong enough or persistent enough to prescribe migraine medication.  My headaches were likely brought on by “not enough of this or “too much of that.  Not enough sleep or not enough water.  Too much sun or too much sugar.  Too much sugar?  And now I’m promoting a headache cure with sugar as an essential ingredient?  Sorry Mom – it works.

At one point in my life my headaches were so bad I believed I could generate one by merely thinking about them.  My mother used to say, “don’t get too excited; you might get a headache”.  Ironically, her good intentions were dashed by the very mention of what she was trying to get me to avoid.  But the conjuring really did happen – on more than one occasion.  Think about a headache = get a headache.

Headaches are attributed – at least in part – to dilated blood vessels.  (Dilated blood vessels are attributed to way too many conditions to list here.)  The brain’s response to dilation is to summon a pain companion; a vehicle to announce, “something’s wrong”.  You see, for all its intelligence the brain lacks its own pain receptors, so it seeks another part of the body to act as its surrogate.  Enter: the headache.  Fascinating perhaps, but no fun for the recipient.  There were times I would’ve traded all of my worldly possessions (which admittedly didn’t amount to much) in exchange for the removal of headache pain.  On that note, I don’t want to even think about how a migraine headache feels (after all, I might get one).

Forty-five million Americans suffer from some form of headaches.  Thankfully, I’m no longer a member of that vast club.  Whether from corrective eye surgery I had as a teenager or better control of the “not enough of” or “too much of”, the pots-and-pans forehead pain endured as a kid simply doesn’t visit anymore.  I’m very thankful for that.  I’d like to think I’ve done my time with those miserable toss-and-turn episodes.  But as a former Boy Scout, I know it’s wise to be prepared.  If my brain gets into a “for old time’s sake” mood, I’ll have a can of Coke and a Snickers bar at the ready.