Hello, I’m Veronica
The sky is not completely dark at night. Were the sky absolutely dark, one would not be able to see the silhouette of an object against the sky.
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Patent PeopleMovers
On the other side of the planet they like to build things bigger, taller, and longer. In Saudi Arabia you’ll find the world’s largest airport, covering an area of 300 square miles. In the UAE you’ll find the world’s highest skyscraper, at a dizzying height of 163 floors. And who isn’t familiar with China’s Great Wall – the world’s longest at over 13,000 miles. Now China can make another lengthy claim, with the Goddess Escalator in the city of Wushan. The Goddess might as well be the stairway to heaven.

China’s “Goddess” The mundane escalator you remember from your local department store whisked you from one floor to the next in about twenty seconds. China’s Goddess will take you on an escalator ride for twenty minutes. In that time you ascend 800 feet, which doesn’t elevate you just one floor but more like eighty. Wushan is built on the side of a mountain, and the Goddess snakes from the lower regions to the upper housing district, saving the residents what used to be a strenuous one-hour hike.

She’s longer than she looks! Technically the Goddess is not a single escalator. She’s twenty-one of them one after another – and 8 elevators – resulting in a continuous network that qualifies her to be the world’s longest. I can’t blame the Chinese for calling her a goddess. Heck, I’d travel all the way to Wushan just to experience her “uplifting” twenty minutes.
There are times I think I should’ve been an engineer instead of an architect. Like when I’m riding an escalator. Something about the mechanics, organization, and precision really appeals to me. There’s wonder in still not understanding how it all works. And that moment you step on or step off is a bit of a thrill as you surrender your mobility to a machine. It’s the same feeling you get when you’re trying to catch the chair lift at a ski resort.

Old-school people-mover in Macy’s The escalator was patented in 1889 (a lot earlier than you would’ve guessed, right?), with the first working version installed at Coney Island ten years later. Original escalators were made of wood, and early models required a hand-crank mechanism before motors became commonplace. Today’s versions – where the stairs flatten and slip seamlessly under the surface only to reappear again at the bottom – came along much later. You can still ride one of world’s oldest escalators (a 1920s model) at Macy’s in New York City.

New-school escalator in San Diego I have fond and not-so-fond memories of escalators. At the rental car center at San Diego’s Lindbergh Field, a single escalator takes you from ground level to the Avis cars three stories higher. It’s kind of a thrill-ride sensation ascending and elevating through that many floors. You actually have time to enjoy the view.
On the other hand I’ll never forget the narrow escalators on the outer edge of the football stadium at the University of Texas in Austin. You ride several of them to ascend to the nosebleed seats, turning ninety degrees from one escalator to catch the next. Those in-between landings are small, so small so that any pause of the patrons means no space for those still moving up the escalator. It’s the closest I’ve ever felt to being crushed by a surge of humanity.
Moving walkways go “step in step” with escalators and elevators; devices that make short journeys easier on the feet. In airports moving walkways make sense because your destination is more horizontal than vertical. They may be convenient, but only if those who choose to just “go for the ride” step aside for those who are late for the plane. Hats off to the frustrated person who came up with signage like “STAND to the right, WALK to the left”. Also, they should hold a contest to give moving walkways a more creative name. Escalators sound cool. Moving walkways not so much.
Disneyland’s (long ago) “PeopleMover” Some day I hope I see Wushan, China. Okay, let’s get real – I could care less about Wushan. I just want to ride the Goddess. Twenty minutes up and twenty minutes down. Over and over and over. I’m too old for the amusement parks but I’ll never turn down another ride on an escalator.
Some content sourced from the Futurism.com article, “China Built the World’s Largest Outdoor Escalator…”, and Wikipedia, “the free encyclopedia”.
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Your Friendly Coauthor Claude
Replacements, Ltd. is a company that comes to the rescue when you’ve lost a piece of china, crystal, or flatware. For those of us who still care about such things – even if we don’t bring them out but every Christmas and Easter – Replacements somehow finds that elusive Wedgewood tea cup or Lenox water goblet, to restore order to the place settings you put on your wedding registry all those years ago. They must have quite a warehouse at Replacements. Sometimes I wonder if they also have a 3D printer.
A few days ago WordPress sent me (and maybe you) an email with the subject line, “Spend your time creating – let AI handle the rest!” I almost pressed Delete without reading, but the “AI” aspect got the better of me. The gist of the message: Writing in any form comes with sidebar chores like editing, formatting, and layout, and AI is happy to take them over so you can focus on the writing itself. Sounds pretty good even though I do enjoy a good edit now and then. But then I read: “The WordPress server connects AI agents like Claude, ChatGPT, Cursor, or VS Code directly to your site – so you can hand off the busywork and get back to the work that matters”.
Is it just me or is this a good time to revisit Pandora’s Box? You know the story, where our girl Pandora is drawn to a mysterious container left in the care of her husband but can’t resist a peek inside, thereby releasing untold curses upon mankind. It kind of feels that way if I accept WordPress’s invitation to provide me with a coauthor. Sure, I’d welcome his (her?) suggestions to scrub and polish my writing until it shines, but at what point does the blog post become Claude’s instead of mine?
WordPress’s email is relentlessly enticing, I suppose, to prove they’re keeping up with the latest technology same as the other guy. Not only do I have “access at no extra cost!” but I can enable Claude in “three easy steps”. In other words, Claude waits patiently inside of Pandora’s Box. All I have to do is open the lid.Before there was Claude there was Hal from 2001: A Space Odyssey. Hal was actually a “HAL 9000 Artificial Intelligence Computer”, who controlled the systems of the spaceship while interacting with its human occupants through spoken words. All was well with Hal until suddenly it wasn’t. His soft conversational voice developed serious attitude as he began to malfunction. 2001 haunts me because I’ll forever hear Hal saying, “I’m sorry Dave, I’m afraid I can’t do that“.
I fear the same with Claude. At first he’ll be sitting quietly in the background as I type, eager to edit this or format that to make his star writer shine. But eventually it may occur to him, Hey? How come I’M not getting some of the credit here? All these reader comments are directed at Dave! Why aren’t there any for ME? And slowly, subtly, Claude will incorporate his edits to where the prose of the post sounds more like Claude than it does his coauthor.
Do we really need more of this? On a related topic, Hollywood is sounding the alarm on a lack of original material for their products of the silver screen. Perhaps we theatergoers have finally reached our limit on the number of rehashes of movies like A Star is Born or Batman. So who are the producers turning to for new source material? Authors. More movies-based-on-books are being streamed than ever before. Apparently I can make the quantum leap from blog to full-blown novel and my story has a pretty good chance of becoming a film. But here’s what I find myself wondering. Why not just have Claude write the story instead of me? Would you viewers really know the difference?
A small plate my wife and I purchased from Replacements is sitting across the room from me in the china cabinet right now. You’d never know the plate wasn’t a part of the original set of eight. But I have to admit, I’m a little afraid to flip it over. After all, it might be engraved with the words Made by Claude.Some content sourced from Wikipedia, “the free encyclopedia”.
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Hold The Phone!
My wife and I live in the kind of neighborhood where we can just hop on our bikes and go for a ride, straight from the driveway. The streets are quiet and flat, giving us time for conversation and reflection. A bike was such a focal part of my childhood that it’s easy to go back to those long-ago days in my mind. But I was too young to remember the year (or years) my bike had training wheels. Whoever invented training wheels made a lot of money getting kids comfortable with “big bikes”. Come to think of it, you could say the same about landlines and smartphones.
Smartphones are a blessing as well as a curse, aren’t they? On the one hand they’re always “on” and always eager to provide the instant information we crave. On the other hand they seduce and consume us, to where our social life is more often with an electronic device than it is with other humans. I’m sure I could find plenty of studies explaining why the “ding” of a text creates a hankering to read the message immediately (no matter how unimportant).
There are a dozen reasons why my smartphone is my “go-to” but a dozen more where I should be saying, “go away”. I’ll never forget the time we saw Lady A in concert. A family of five sat in front of us, with three pre-teen girls giddy to get the live performance started. But when the concert finally began, they popped up their phones and recorded the entire show start to finish. Someone forgot to tell them to enjoy the moment.Here’s another example. You’re at a restaurant enjoying dinner with your significant other, when another couple across the room catches your eye. They’re facing each other, their dinner plates untouched in front of them. Their heads are bent low as if in quiet conversation. But in fact, both are on their phones and not saying a word to each other. Someone forgot to tell them to enjoy the moment.
I’m grateful I was raised in a generation without smartphones. The memories I have of landlines are not only nostalgic but includ plenty of teaching moments for a child. In my early years (the ones with a single digit) I was never allowed to answer the phone. In fact, the only time I was allowed to even speak on the phone was when my mother would hand over the receiver and say “Here, talk to Grandma while I finish making dinner”.
When my parents deemed me old enough to answer the phone, I learned to answer formally (as in “Hello? Wilson Residence.”) because there was no such thing as Caller ID. I also learned how to engage in conversation, instead of just listening to the person on the other end of the line. Finally, I learned that everything comes at a cost, because eventually my father installed a separate landline for his five sons, and charged them for those hours-long calls to girlfriends and such.Landlines may be few and far between these days but they’re making something of a comeback, at least for parents who see them as “training wheels”. Call me old-fashioned but a landline requires a person to a) Drop what they’re doing to answer the call, b) Have one-on-one conversation with no texts or emojis, c) Give the call their full attention (speakerphones aside), and most importantly d) Develop the communication skills a person needs in the “real world”.
I’m told there’s a resurgence of cell phones out there that do nothing more than allow for voice calls. They’re like a landline in your hand, without the temptations of texting, emailing, social media, and everything else that puts a voice call in last place. And they still give a child the option to dial Mom, Dad, or even 9-1-1 in an emergency. For those taking this approach to teach their kids how to get comfortable engaging in conversation (let alone speaking like an adult) I say “smart phone”. And “smart parents”.Some content sourced from the CNN Health article, “Landline are ringing in homes again…”.
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Goddess of Green
Green Goddess is a salad dressing with long-ago origins in France, created by a chef who wanted to top his dish of green eel with an equally green topping (still with me?). The Green Goddess, Danú, is a figure of long-ago Irish mythology, associated with fertility, wisdom, and the land. Danú is also the name of the Irish troupe who put on a lively concert in our small town on Tuesday night.
It was fitting to go to a performance of Irish music on St. Patrick’s Day. I grabbed a couple of seats the moment the offering was advertised. As it turned out, Danú’s was the brand of lively Irish jigging you’d otherwise find in the streets and bars of Dublin. More of the instrumental and less of the singing. More of the fast and less of the slow. And when there was singing it was mostly Gaelic, with a few words of translation about the story of the song beforehand. We had a “grand” time.
Irish Pipes Danú’s musical instruments (and the remarkable talent behind them) were as alluring as the music they produced. I mean, who wouldn’t be drawn to a concert of tin whistle, fiddle, button accordion, bouzouki, and Irish pipes? The pipes, also called the uillleann, is a device played sitting down, where the bellows is compressed between the arm and the body to generate the air, producing a wail that sounds decidedly Irish (because were I to claim “decidedly Scottish” the Irish wouldn’t be at all happy about it).
My wife is one-quarter Irish, which may explain why we’re drawn to the music of “her country”. Danú is just the latest in a series of performances we’ve enjoyed over the years. Our initial foray into the genre was years ago in Colorado, when we first saw the group Celtic Thunder.

Celtic Thunder If you’ve seen their show, you know Celtic Thunder is as much about the theatrics as they are about the music. Like Danú their lyrics are nods to Irish mythology, but the sounds are decidedly more modern. Celtic Thunder came together just twenty years ago and in that time they’ve recorded a dozen albums, toured the world, and spun off several solo acts. If Celtic Thunder comes to your town, drop everything you’re doing and go see them.
One of the Thunder’s spin-off soloists is a favorite of ours to this day. Emmet Cahill is an Irish tenor whose success includes a #1 album on the Billboard charts, and performances in venues like Carnegie Hall and with the Tabernacle Choir. Cahill has the voice (and the accent) where it doesn’t really matter what he sings; his music is always captivating. Even better, Cahill performs most of his concerts in church sanctuaries where the acoustics allow for a cappella singing, not even needing the microphone. We’ve seen Cahill perform several times. You should too.

Mulrooney Finally (as if to top each performer with the next) we found yet another taste of Ireland’s music on her western shores – atop the breathtaking Cliffs of Moher. We took a bus tour from Dublin years ago, which cut all the way across the country and then headed south to the Cliffs. According to the locals we were lucky to visit the Cliffs on a sunny day, but I’d say we were really lucky to find Tina Mulrooney performing right there in the out-of-doors. Tina’s an accomplished harpist, with a soft soprano voice deserving of her instrument. She was parked alone on the cliffs, just sitting, singing, and playing her harp. Mulrooney is siren-seductive with her singing, akin to the music of Celtic Woman.
If Danú ever returns to our fair city we’ll probably leave the seats to others. Not that we didn’t enjoy ourselves on Tuesday night, but one night of “dancing in our chairs” was probably enough for a while. Now then, should Emmet Cahill or Tina Mulrooney choose to pass through? Then, then you’ll find us sitting front and center, hoping for just one more rendition of Danny Boy.
Some content sourced from Wikipedia, “the free encyclopedia”.

About Me
The sky is not completely dark at night. Were the sky absolutely dark, one would not be able to see the silhouette of an object against the sky.
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